| |
| C - Pawlenko-Kranz |
|
| Movement |
Coef |
C |
|
|
|
|
|
| TECHNICAL |
Free walk on circle or straight line (20m minimum continuous) |
2 |
6.5 |
|
|
|
|
|
| TECHNICAL |
Working walk on circle or straight line (20m minimum continuous) |
1 |
6.5 |
|
|
|
|
|
| TECHNICAL |
10m circle in working jog |
1 |
7.0 |
|
|
|
|
|
| TECHNICAL |
Lengthening of stride in jog |
1 |
6.5 |
|
|
|
|
|
| TECHNICAL |
Leg yield in working jog |
2 |
6.5 |
|
|
|
|
|
| TECHNICAL |
15m circle in working lope |
1 |
7.5 |
|
|
|
|
|
| TECHNICAL |
Lengthening of stride in lope |
1 |
6.5 |
|
|
|
|
|
| TECHNICAL |
Half turn on the forehand |
2 |
7.0 |
|
|
|
|
|
| TECHNICAL |
Half turn on the haunches or pivot |
1 |
6.5 |
|
|
|
|
|
| TECHNICAL |
Halts at beginning and end of test |
1 |
7.5 |
|
|
|
|
|
| TECHNICAL |
Gaits – freedom and regularity |
1 |
7.0 |
|
|
|
|
|
| TECHNICAL |
Impulsion – desire to move forward with supple back and steady tempo |
1 |
6.5 |
|
|
|
|
|
| TECHNICAL |
Willing cooperation - the horse accepts the aids and influence of the rider with attention and confidence |
2 |
7.0 |
|
|
|
|
|
| ARTISTIC |
Harmony between Horse and Rider |
5 |
7.0 |
|
|
|
|
|
| ARTISTIC |
Choreography - use of the arena, design cohesiveness, balance and creativity |
3 |
6.5 |
|
|
|
|
|
| ARTISTIC |
Degree of difficulty |
2 |
6.5 |
|
|
|
|
|
| ARTISTIC |
Music - suitability, seamlessness, cohesiveness |
4 |
7.0 |
|
|
|
|
|
| ARTISTIC |
Interpretation - music expresses gaits, use of phrasing and dynamics |
3 |
7.0 |
|
|
|
|
|
|
68.235 |
|
|
|
|
|
| Error Points |
0 |